Fine art is art developed primarily for aesthetics or
beauty, distinguishing it from decorative art or applied art, which also has to
serve some practical function, such as pottery or most metalwork. In the
aesthetic theories developed in the Italian Renaissance, the highest art was
that which allowed the full expression and display of the artist's imagination,
unrestricted by any of the practical considerations involved in, say, making
and decorating a teapot. It was also considered important that making the
artwork did not involve dividing the work between different individuals with
specialized skills, as might be necessary with a piece of furniture, for
example. Even within the fine arts, there was a hierarchy of genres based on
the amount of creative imagination required, with history painting placed
higher than still life.
Historically, the five main fine arts were painting,
sculpture, architecture, music, and poetry, with performing arts including
theatre and dance.In practice, outside education the concept is typically only
applied to the visual arts. The old master print and drawing were included as
related forms to painting, just as prose forms of literature were to poetry.
Today, the range of what would be considered fine arts (in so far as the term
remains in use) commonly includes additional modern forms, such as film,
photography, video production/editing, design, and conceptual art.
One definition of fine art is "a visual art considered
to have been created primarily for aesthetic and intellectual purposes and
judged for its beauty and meaningfulness, specifically, painting, sculpture,
drawing, watercolor, graphics, and architecture." In that sense, there are conceptual
differences between the fine arts and the decorative arts or applied arts
(these two terms covering largely the same media). As far as the consumer of
the art was concerned, the perception of aesthetic qualities required a refined
judgment usually referred to as having good taste, which differentiated fine
art from popular art and entertainment.
The word "fine" does not so much denote the
quality of the artwork in question, but the purity of the discipline according
to traditional Western European canons. Except in the case of architecture,
where a practical utility was accepted, this definition originally excluded the
"useful" applied or decorative arts, and the products of what were
regarded as crafts. In contemporary practice, these distinctions and
restrictions have become essentially meaningless, as the concept or intention
of the artist is given primacy, regardless of the means through which this is
expressed.
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