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<article xlink="http://www.w3.org/1999/xlink" mml="http://www.w3.org/1998/Math/MathML" xsi="http://www.w3.org/2001/XMLSchema-instance" ali="http://www.niso.org/schemas/ali/1.0/" noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" article-type="research-article" dtd-version="1.1" lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">isrdo-SRJAHS</journal-id><journal-id journal-id-type="pmc">isrdo-SRJAHS</journal-id><journal-id journal-id-type="nlm-ta">isrdo-SRJAHS</journal-id><journal-title-group><journal-title>Scientific Research Journal of Arts, Humanities and Social Science</journal-title><abbrev-journal-title abbrev-type="publisher" pub-type="epub">SRJAHS</abbrev-journal-title></journal-title-group><issn>2584-0622</issn><publisher><publisher-name>ISRDO</publisher-name><publisher-loc>Gujarat,India</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">M-10152</article-id><article-id pub-id-type="doi"/><article-categories><subj-group subj-group-type="categories"><subject>Fine Arts</subject></subj-group></article-categories><title-group><article-title>Artistic Innovation and Influence: Exploring Creativity and Imitation in New Kingdom Egyptian Tomb Art</article-title></title-group><contrib-group content-type="authors"><contrib id="208" contrib-type="author" corresp="yes"><name><given-names>Farid Mostafa</given-names></name><xref ref-type="aff" rid="aff-1">1</xref><aff id="aff-1"><label>0</label><institution>Cairo University, Giza</institution><country>Egypt</country></aff></contrib><contrib id="209" contrib-type="author" corresp="yes"><name><given-names>Ahmed Elbaz</given-names></name><xref ref-type="aff" rid="aff-2">2</xref><aff id="aff-2"><label>1</label><institution>Cairo University, Giza</institution><country>Egypt</country></aff></contrib></contrib-group><contrib-group content-type="editors"><contrib contrib-type="editor"/></contrib-group><pub-date pub-type="epub" data-type="pub" iso-8601-date="2024-12-25"><day>25</day><month>12</month><year iso-8601-date="2">2024</year></pub-date><volume>2</volume><elocation-id>V2-I2-2024</elocation-id><history><date date-type="received" iso-8601-date="2024-11-11"><day>11</day><month>11</month><year iso-8601-date="2024">2024</year></date><date date-type="revised" iso-8601-date="2024-12-01"><day>01</day><month>12</month><year iso-8601-date="2024"/></date><date date-type="accepted" iso-8601-date="2024-12-01"><day>01</day><month>12</month><year iso-8601-date="2024"/></date></history><permissions><copyright-statement>&#xA9;2024 Farid Mostafa Year Corresponding Author</copyright-statement><copyright-year>2024</copyright-year><copyright-holder>Farid Mostafa</copyright-holder><license href="https://creativecommons.org/licenses/by/4.0/"><license-p>This is an open access article distributed under the terms of the, which permits unrestricted use, distribution, reproduction and adaptation in any medium and for any purpose provided that it is properly attributed. For attribution, the original author(s), title, publication source (ISRDO) and either DOI or URL of the article must be cited.<ext-link ext-link-type="uri" href="https://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution License</ext-link></license-p></license></permissions><self-uri href="https://isrdo.org/journal/SRJAHS/currentissue/artistic-innovation-and-influence-exploring-creativity-and-imitation-in-new-kingdom-egyptian-tomb-art"/><abstract><p>New Kingdom tomb art (ca. 1550&#x2013;1070 BCE) in ancient Egypt represents a pinnacle of artistic achievement, blending creativity, religious symbolism, and craftsmanship. This paper explores the artistic innovation and influence evident in tomb art of the period, focusing on the balance between creative expression and adherence to traditional forms. We examine the role of artistic conventions, innovation, and external influences on tomb decoration by analysing select examples from royal and non-royal tombs. By studying iconography, stylistic features, and symbolic representations, we highlight how New Kingdom tomb art reflected broader social, religious, and political changes while maintaining continuity with earlier traditions.</p></abstract><kwd-group kwd-group-type="author"><kwd>New Kingdom tomb art</kwd><kwd> ancient Egypt</kwd><kwd> artistic innovation</kwd><kwd> imitation</kwd><kwd> creativity</kwd><kwd> religious symbolism</kwd><kwd> funerary practices</kwd><kwd> iconography</kwd><kwd> stylistic features</kwd></kwd-group><funding-group><funding-statement>This work did not receive any specific grant from funding agencies in the public, commercial, or non-profit sectors for its research, authorship, or publication.</funding-statement></funding-group></article-meta></front><back><sec sec-type="data-availability"><title>Data Availability</title><p>Data sharing is not relevant to this study.</p></sec><sec sec-type="COI-statement"><title>Conflicts of Interest</title><p>There are no conflicts of interest to report from any of the authors.</p></sec><sec sec-type="author-contributions"><title>Authors&#x2019; Contributions</title><p>The author handled all aspects of the study, including its design, data collection, analysis, and manuscript preparation.</p></sec><sec sec-type="funding-statement"><title>Funding Statement</title><p>This work did not receive any specific grant from funding agencies in the public, commercial, or non-profit sectors for its research, authorship, or publication.</p></sec><sec sec-type="software-information"><title>software-information</title><p>There is no software or tools usage information relevant to this research.</p></sec><ack><title>Acknowledgments</title><p>I acknowledge the support and expertise of those who helped with this research and manuscript, and thank the peer reviewers for their valuable insights.</p></ack><ref-list content-type="authoryear"><ref id="1"><label>1</label><element-citation publication-type="journal"><p>-</p></element-citation></ref></ref-list></back></article>
